special remarks: white label promo only
roman flügel. dat tape. techno.
eight miles high. never released.
recently found. strange. straight.
dark. heavy. loop. dub. techno. pressure. stamp. white. trax. klang. frankfurt. high speed ebm. industrial. tekkno

co la widmet sich der klanglichen erforschung sample-basierter elektronischer musik. aus dem umfeld von daniel lopatin / oneohtrix point never.
limitiert auf 1000 nummerierte exemplare, inklusive mp3-downloadcode.

may 20th 2013 will see koreless release his debut solo ep yugen on young turks. following on from previous releases 4d/mti and lost in tokyo, and his collaboration with sampha for short stories, welsh born producer koreless has well and truly defined his own sound. existing somewhere between soulful electronica and eno-like ambience, the emotion filled soundscapes of y?gen give the listener a glimpse into the vast concepts imagined by koreless and presented through his music, artwork and performance.
remarkable in its restraint, sophisticated despite its simplicity, and almost entirely beatless, y?gen is a bold statement that deserves to be listened to and lost in.

the mysterious wpbh label strikes again with two killer tracks from the vaults of one certain harry baldi. all that is known about this harry baldi character is that he once squeezed 100 tracks into a 9 seconds mix on his soundcloud and that he has never played at panorama bar or any other club for that matter.
so this one is truly a matter of the music doing the talking, and with the reggaefied dubness of cant kick this feeling when it dubs and the vintage theo parrish-styled tonight tomorrow the music will well and truly talk to a lot of music lovers.

founding sound traveller dj patrique collaborates with clarence on one track to be released on the vinyl edition only. clarence brandon is obviously inspired by the detroit heritage as all tracks bear the soul of this influential city. by using an uplifting track build-up, forward moving rhythms and inspiring melodies, all tracks are well suited for the lovers of fine techno and house. gracefully placing subtle sounds but never loosing sight of the dance floor, clarence diligently produced the first ever physical sound travels release.

in its history throughout millennia it is fair to say the gamelan has never had an encounter quite like this. marriage of metals is a devastating extension of the harmonic properties found in the instruments of indonesia.

aksutique is the moniker of matthias springer for his deep ambient techno, dub techno and downbeat productions. matthias has released several productions over the years, ranging from techno to chill out music under different names. the notch fields ep is the first vinyl release for aksutique and features 3 tracks of aquatic dub influenced deepness that sucks you right into its maelstrom of endless echoes, synth swirls, noises and reverberated chords. “echolot” for example is a pure intense submarine cinematographic infinite journey that takes you into the depths and never lets you free again. the record features an additional dark and electronic rework by valanx aka arne weinberg that drenches the original in eerie voices, electronic sounds and deep bass. not for the faint hearted.

snw01 contains some previously unreleased cuts from labelowner kastil. where he never thought of releasing this before. he rapidly changed his mind after seeing the reactions to these cuts at his gigs.after several people requesting a release of the a side rush he decided to press them up to serve his loyal followers. these are two rough, peaktime house jams which have a mesmerizing effect to them. the vocal in gather up! is the perfect example. these are two underground slammers, produced with class and in high demand

a great jacking package from the material camp. redondo and ferreck dawn with some peaktime dancefloor weapons for the festival season. straight up shuffled drums and cut up vocals which make this 12inch to a must have for the dj bag. be quick

dank has been at the forefront of the heavy bass culture movement since its early inception years ago. this new york city native considered to be a pioneer of the underground sound currently coming out of the city that never sleeps, represents heavy bass culture from the school of the hard knox and is knee deep in it. it has been said he eats, sleeps, and breathes heavy bass culture. in addition, he is no stranger to demolishing dance floors throughout the united states and abroad. fused with sexy bass and super funk, dank has played along side some of the hottest talent on the planet.

rerelease & remaster for this forgotten gem by mark broom. released over 10 years ago, this track never really got old. instead, it aged with grace.

in the here and now of house and techno, a flux is taking place. the newest generation of souls possessed by the beat has never had a better chance to look back at the unbridled creativity and vitality of the 80s and 90s, and channel it into their contemporary creations. the gospel of youtube and a wealth of mixes with convenient tracklists make it easy for the lazy artist to absorb what was great before and reflect it in their contemporary productions. this of course is of no concern for someone like franck roger

house is at home with bobby browser, who may be “still browsing” after 2012’s “just browsing” ep, but these four tracks feel like he’s finally splurged on the pleasure-purchase. never afraid to fuse sad soul ii soulisms with flute-floozy milan model-walk wonders, or blue lipstick, platform dance with classic groove-back ogle-voguing, bobby browser remains a san fran late-night-on-haight-night latin legend. browser’s known for djing gel-gems like “bad bad boys” and other, mostly forgotten, romantic thrift store singles and as producer he’s got the same no-boundaries deep-‘preciation for all that can be stirred in his stoopid stew. howard jones meets earth, wind, and fire meets n’dea davenport meets sade meets frankie knuckles but not at all straightforward, and nothing short of silky slip-peeling. always lovely and light, sleek and chic, bobby browser’s bought a spot on your yacht. it’s going to be a smooth cruise.

theres a feeling... a sense of urgency in the air... things are going wrong and some things have never been right

gleich drei produzenten holte jessie ware für ihr neues album devotion ins boot. neben julio bashmore und kid harpoon war auch dave okumu (the invisible) an der platte beteiligt. herausgekommen ist ein naturgemäß vielschichtiges album, welches nicht zuletzt durch seine abwechslungsreichen songs besticht.

the legendary 1969 beatles album - remastered from the original stereo analogue master tapes, pressed on heavyweight 180 gram vinyl.

vinyl is limited to 300 and comes with a code for a free download.
jonas munks work as manual has never sought to radically reinvent itself. rather, he has spent the time since his debut ep in 2000 perfecting and refining the sound that is so distinctly his own - with each successive album meticulously exploring certain aspects of the manual sound. there is an ongoing insistence that there is originality and beauty in his finely crafted productions, even in times when they seem terribly out of tune with the current trends. in munks view originality isnt so much a constant renewal of oneself but rather the creation of a unique and confident style that is continuously relevant.

hot new kojak giant sounds release! these never hang around long and theres no repress!

this is a remixes release for touch it produced by stefano lotti & edunetto. this e.p. includes one dancefloor killer remix from lorenzo bartoletti (mindshake) and a fantastic mental, deep remix from moodz. two tracks that should never miss in a dj suitcase

this ep is somehow special for us because we’,ve been wanting the original track for 4 years…,. back then, this very track called ‘,san pellegrino’, by rj valeo aka isomer transition grabbed our attention. our first offer to release rj’,s music was declined because he had different plans for it at this time. but our enthusiasm never really faded out, and nearly 3 years later we simply asked him again. this time is visibly worked. the b side has been confided to british producer och, undoubtedly on fire at the moment with his excellent publications on trelik, pal sl, his own autoreply or more recently on all inn records. he delivered a powerful floor remix, designed for nocturnal peak times –, as the name ‘,och’,s 4am mix’, suggests.
already supported by brendon moeller, guy andrews, ben sims, sebo k, troy pierce, samuel l session, gary beck, konrad black, reboot, tiefschwarz, adam beyer…,

audiojacks gruuv label drops its twentieth release this december, deep futures fixations ep backed with remixes from the highly in-demand dam swindle and dirty channels.

trx is an exclusive collection of tracks that spot light the unknown and uprising producers featuring on a brand new compilation titled traxx. they bring us old school techniques against some clever bass manipulation to give us their interpretations of the original new york and new jersey sounds.

continuing their quest towards the futuristic and experimental electronic horizon, the ever evolving and never compromising visionquest are back, taking a journey into the deep and dubby, presenting the moonlight shadow ep - three beautifully distinguished tracks from germanys finest, seidensticker & salour.

from bristol-based producer borai, known for his collaborative releases with dj october on labels such as apple pips, simple records, brstl and never learnt. this is his first solo work via tasteful nudes - a brand new label from chicago

this new italian artist (already released on nacthstrom schallplatten, drehmoment, etc.)shows two interesting tracks with a modern concept of techno.the first track is a sort of hypnotic techno with a lot of groove inside, never boring.the second track is a beautiful trip with experimental and industrial sounds, he doesnt want forget his roots.

shlomi aber is known for his dark never ending grooves, and his new be as one release is once again proof of how the label boss is able to inject the right amount of funk in his beats. after the success of we dont fit on cadenza, fooling games feat. moggli on be as one and his more recent mancha on desolat, shlomi drops the doppler and limited by you. both sits on the line between house and techno, with shlomis trademark rolling tech-funk grooves driving the dance in its own exceptional way.

following up their ..henry 85.. 12inch on aus sister-label, simple, in mid-2012, dusky re-emerge with another four-track ep, marking their first release of the new year.

the second ep on the dutch imprint pinkman comes from roberto auser who brings a varied ep with his unique westcoast sound. first off is the outer space dance track never say never again, remixed by dutch techno pioneer mark du mosch on the flip. the final track eclipse brings us back to his native country ausland, a tribal battle track for all the weekend warriors out there

dj sprinkles ist das deep house-alter ego von terre thaemlitz. terre thaemlitz ist multimedia-produzent, dj, theoretiker und transgender-aktivist. bekannt wurde der amerikaner um die jahrtausendwende mit einer reihe hochgeistiger, durch sueffisante essays begleitete konzeptalben

people have all the power - they just have to remember it, findet steve mason und sorgt mit seinem neuen eklektischen meisterstück *monkey minds in the devils time* für revolutionären wind in der flaute der aktuell doch sehr unpolitischen popwelt. das neue album besticht nicht nur durch seinen inhaltlichen tiefgang. dass der ex-beta band sänger mason auf stolze fünfzehn jahre erfahrung als musiker zurückgreift und produzent dan carey (hot chip, bat for lashes) seine finger im spiel hatte, merkt man dem album an. das glanzstück *monkey minds in the devils times* ist an musikalischem facettenreichtum zwischen pop, indie und elektronik kaum zu überbieten.

we never forget our roots here at idle hands. for people of a certain age the wild experiments of jungle and dnb remain close to our hearts. whilst scenes, sounds and trends may wax and wane that visceral feeling of chest rattling bass is something we hold on to. rhythmic theory is one producer who like us, never forgot. here we present two tunes deeply indebted to those times. it must be stated though, you will not find any amen breaks or ragga samples here, instead, this up and coming bristol producer transposes the atmospheres and deadly subs to a techno template. *legacy of the lost* and *riveted* follow on from two well received vinyl only release on brstl and his own self titled label. both tracks are immaculately crafted hardware jams that are designed solely with sound system use in mind.

the detroit threads record store has survived in one incarnation or another for more than16 years. in this time personal relationships have formed with music makers of every circle over the common bond of vinyl sound. it was a logical step to give back to this community a product that reflects the many faces that make up the store. a store that has been and will continue to be a hub for the exchange of ideas, kept alive by like minded people who still believe in the independent detroit spirit. this spirit shines upon the unique artists that move to their own beat, and never compromise their vision. detroit threads gives a voice to these artists that should be heard. nospectical is walter wasack, jennifer paull, and chistopher mcnamara. they are a team of detroit sound artists that lean into e.d.m. on the minimal tip. their comfort zone is inside of a sounds cape near the sphere of unconsciousness. nospectical is a cool dark breeze that is alive with a pulse. they tread into strangeness and let it come together to form a neurotic world. nospectical works to broaden the view and redefine the depth of detroit techno. detroit threads is proud to support this cause.

david flores surfaces as audio injection with no key ep, two slabs of pristine techno for the new year. after owning 2011 & 2012 with over a dozen releases as truncate, audio injection flexes some production muscle to put out a sound that’s as huge as it is hypnotic. the a side features deep thought, a seven-minute obsession around a short melodic fragment that speeds at 130 bpm through a paranoid passage of beguiling rhythm. the b side features title track no key, a demolishing groove that builds and breaks but never lets go. machined percussion and tonal beats carve their way through an arena-sized rabbit hole with detail and dimension.

we are the ones with the courage to stand up and express our ideas. so many heroes have sold out, moved on, and turned their back on the detroit underground. if the true believers are waiting on the calvary then i guess cryovac will have to do. this is our fight whether we like it or not. we are a few like minds, not the alphas, never the favorites. we are the other guys, the ones nobody bets on, the least likely to survive a business. we know what the score will bring us, but there is an appointment and we mean to keep it. heroes must define themselves and then redefine themselves. each day that moves forward brings opportunities to tweak creations into what the now means. kieth kemp endures the elements and ailments of an ever changing electronic world. he is an original hero with a smooth technique that reflects an instinctual nderstanding of sound and soul. kieth represents a talent and spirit that does not falter no matter how strange a circumstance can get. he follows his own path to relavence. i am proud to welcome kieth to the cryovac machine.

as we are beset by the darkest of seasons, let sequencias provide a score to fit the mood. presented in two parts, *hybrid furrows* marks the second transmission of the mysterious healing force project from treviso, italy. the first part is a dense, introspective overture. a ceaseless minor key drone lays the path for deep thrumming gong-like pulse and shuddering percussive textures. a song without a coda, a dream without resolution, it simply dissipates like fog—never revealing it’s center. the second part is similarly monolithic in nature, but crafted more for movement than meditation. it is vicious arpeggiated psychedelia, sharp enough to cut into the deepest recesses of your psyche. both tracks were recorded live in one take. vinyl only.

falling up in its original theo parrish version and the carl craig version on the same disc. nothing more to say. except that the carl craig version finally gets its proper title (also newly remastered versions of both classics, by stefan betke). it was never a remix as all the parts are original, created by carl craig. as scott grooves said when he first heard norm talley playing it, that aint a remix, thats a full-blown carl craig track

incl. rmxs by sierra sam, lula circus & daria !!

after the success of the first ep, comes the remix ep signed by three great artists of the techno scene. thrive is remixed by two veterans: mark broom and pacou. mark makes a very attractive and more techno version of the original track. pacou shows a version completely different amazing breakbeat! pulzar is remixed by jeroen search, who is never wrong at the time! powerful second vinyl for this label.

myk derill (knotweed, reform, etc.) is one of the most interesting dub-techno artists! here he offers two great tracks of high quality and class. never hard but never soft. the release is completed by a fantastic remix signed by markus suckut (figure spc, sckt,etc.)his remix is a clear reference to the atmosphere of the past, with his usual class! another good step for fluxus records.

label boss, dj spider links up with analog guru, phil moffa! these two analog junkies have put together a crushing 4 track split effort. the first 3 tracks are strictly for the dance floor and the last one is a deep, mental piece! they each delivered one track each and two tracks were done together. warm analog drums with pure synth soundscapes are on display here from beginning to end. a must have for all true, underground soldiers who support new york techno!

as the london & berlin based somethinksounds imprint approaches a tenth release since its inception in 2010 we have learnt that although you can never be too sure of what they are going to serve up next, you can be sure its going to be of the highest quality. whether it be unearthing exquisitely produced idm by lucky paul, future house sounds from rising stars such as eliphino and ossie (black orange juice) or straight up club bangers by some of the biggest hitters in the game (gadi mizrahi of wolf + lamb), this time they deliver what could be one of the most infectious vocal drops of 2012 on artifacts sensational double a-side the way it do/we trapped.

datethe first single from the mysterious >satisfaction< album that was never released. 200 copies ww only!

the headless horseman is coming after you with a freshly sharpened sword. he will take no prisoners. his true identity has never been revealed but his presence is felt through music. listen if you dare, but be aware that he will ride again, sooner than you know it.

cutting edge 2004 avant-techno classic with strong disco roots.

fathers & sons presents fas004, their last limited 12 vinyl only release, strong stuff as usual...

the e.p kicks off with she can dance, a slow burning acid number that has elements of deep, grooving house from the detroit school. in fact, the second cut low control bares the influence of detroit too, with its murky, dubbed-out chords ala luke hess moving into a punchy bassline with minimal but functional drum patterns. proceedings get a bit more bouncy on the smoking hat, a quirky acid romp on the less daft side of ceephax, and the perfect soundtrack to accompany a feature-length documentary about.... a smoking hat. finishing up the e.p is fudge fingas remix of low control, the only man qualified to make an already deep as fuck track even deeper. theres been some on-point criticisms about a lot recent deep stuff getting lost in noodly jazz territory, but we are in no danger of that nonsense with fudge fingas at the controls: accomplished a musician he may be, hes never been one to lose the way, and this mix proves his deft and subtle remix talents. dabj done done it again, and hopefully this is the first in a long line of productions from vernon.

midnight shift returns with its sophomore outing shift 002, presenting two artists recontextualised from the conventions from which they came: iron curtis from depths of the deep house realm and one ultrademon, the notorious inventor of the seapunk scene. once again, a notable split ep with each of the 4 tracks owning its unique place in the world.

oliver hos alias for the less obvious techno stompers has always been full of surprises. although you can take the man out of the rave, but not the rave out of the man, raudives >traffic ep< is a retro futuristic team of hermaphrodites. four tracks that recall metal dance - the genre that never was - as well as disco elements, house hints, a techno taste and wave wonders. a record made for sven vaeth and trevor jackson, with >beams< already on heavy rotation with dixon and ame for a while now.